Colin Campbell's learning space

Ideas about learning, social entrepreneurship and digital storytelling.

A lesson from the Year of the Cat – The hills have new places

Tet tree on a motorbike by C Campbell

Tet tree on a motorbike by C Campbell

It is New Year or TET here in Vietnam. A time characterised by panic buying, the burning of things, releasing fish into lakes and the precarious balancing of trees on motorbikes. (see left)

It is also a time to deal with, and reflect on, things from the year we are in the process of leaving and I am going to do just that in this blog post. For the title and to some extent the structure I have borrowed from Erroll Morris’s documentary, ‘The Fog of War: Eleven Lessons from the Life of Robert S. McNamara’. If you haven’t seen this film then I would suggest rectifying that as soon as you can. My lessons are less confessional than McNamara’s and as far as I know I haven’t started any wars – but I hope, like he does, to tease some wisdom from what has been an eventful 12 months.

 

“The hills have new places”

“Till day rose; then under an orange sky, The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye.” from ‘Wind’ by Ted Hughes

I feel like we are in that place that Hughes describes – the storm after the storm. And as we look around the things we always thought couldn’t move have moved or might even have disappeared. An introduction to a collection of essays by David Graeber that was sent through to me by a friend explains this beautifully.

“At a moment when the old assumption about politics and power have been irrefutably broken the only real choice is to begin again: to create a new language, a new common sense, about what people basically are and what it is reasonable for them to expect from the world, and from each other.”

I am always wary of present time arrogance (see #6 on my notice board) or the dangers of misreading the significant movements of our times by forgetting the filters we use and the echo chamber of ideas we might be in. However, it is my experience that the landscape is changing in terms of what it is we are supposed to do and the opportunities to do it. Yes there are caveats to this and I will cover some of those in these lessons, but let me give a small but significant example of the shifts I am talking about from within my own field of education.

Below is an edited transcript of an exchange on the BBC Radio 4′s ‘Start the week’ programme between the presenter Andrew Marr and Neville Brody who had not long been appointed the Head of Visual Communications at London’s Royal College of Art, one of the UK’s most prodigious art schools.

Andrew Marr. A lot of trades that have become ingrained in our heads specific forms of trade have dissolved. So for somewhere like the Royal College where do the special new skills come in that you are going to transmit to the students? (Interesting use of the word transmit here…cc)

Neville Brody: In all honesty we don’t know. The old idea of teacher and pupil dissolves now and it’s much more a kind of collaborative research than anything else. We have to understand the world, what it needs and what the right tools are to deal with that.

AM: Well except that the students that are now paying lots of money to come to somewhere like the Royal College will want something special back. Well if it’s not pupil and teacher it’s possibly, I don’t know, master and atelier, or something like that. They’re going to want to come to someone like you for specific ideas and skills.

Gordon Gecko and the death of success culture

Gordon Gecko and the death of success culture

NB: Well we’re calling it an unfinishing school, so people may come with highly formed skills and ideas and we’re trying to break down the ideas, and then understand which are the most appropriate skills to apply to that… as the students come with a much greater investment in what is happening digitally in their everyday lives. It’s a multiple skillset space – it’s a partnership going forward…The internet is changing everything. Success culture – this has collapsed…Students are no longer guaranteed a job on leaving college… Students are therefore returning to ideas, how can we better serve society? The events of the past few years show this. Success culture collapsed…I think there is going to be an energetic explosion of new ideas, new risks and it is going to be the most exciting time.

I re-listened to this interview several times – nodding along and heartened to hear that progressive ideas about learning and pedagogy were coming into the mainstream. That out of the economic turmoil and the failings of what Brody labels ‘success culture’ a new way to learn is emerging. At the core of his ideas was an embracing of what he perceives to be a new digital landscape, a notion I hope to return to soon in a post on disruptive innovation.

Filed under: Uncategorized, , , , ,

Five reasons to PechaKucha

This summer we contacted the creators of PechaKucha, Astrid Klein and Mark Dytham (Klein Dytham architecture) to ask them if we could start a PechaKucha night in Hanoi. They said yes. What follows are five reasons to consider attending one of these events, be it ours or another of the regular nights happening in 442 cities around the world.

20 x 20 by C Campbell (cctinto on flickr)
20 x 20 by C Campbell (cctinto on flickr)

1. The creativity of constriction.

Sonneteers have 14 lines, twitterers 140 characters and PechaKucha presenters 20 seconds on each of their 20 slides. Rather than a hindrance, constrictions like these can be the catalyst for creativity, for distilling your thoughts down to what you really want to say. Additionally, the format lends itself to presentations and evenings that flow.

 

'Serendipity' by alex drennan from flickr

'Serendipity' by alex drennan from flickr


2. Serendipity

It is easy to get a little tangled up in the webs and routines many of us find ourselves in, especially as our search engines and social networking software get better at telling us what they think we want to know. A PechaKucha night can provide a useful way to mix things up a little, to get a glimpse of what people in other fields are doing and the way they are going about it. On a good night you might just get an idea that helps you make a breakthrough with a project you are working on or happen across something that takes you down a new and productive path.

 

'House' by Hideyuki Nakayama from www.busyboo.com

'House' by Hideyuki Nakayama from www.busyboo.com


3. Design literate

PechaKucha was started by designers for designers and while the concept has evolved into a much broader and diverse network, a level of design mindfulness remains at its core. Speakers, be they professional or amateur, are all trying to communicate a visually arresting narrative with their audience.

 

 

 

 

4. Open, community based and not-for-profit

Anyone can get up and talk about pretty much anything at a PechaKucha night. It is about sharing ideas. The organisers both globally and locally do not make money from the events and the only reason someone might not be granted permission to speak at a PK night is if the organisers feel the content may not be in keeping with the ethos of the event or may put the permission to run the event in jeopardy.

'beer' by  aka_lusi from flickr

'beer' by aka_lusi from flickr


5. Conviviality

With all that this creative nourishment going on you will have more than earned the right to have a few beers in a setting where you can decide how you want to experience the event.

The Hanoi version at the homely Cinematheque on 22A Hai Ba Trung Street will have two spaces where you can follow the presentations. This means you can either sit down in the main room where the speakers will present or mingle at the bar where another screen will show the presentations, an ideal spot for a little gentle hob-nobbing.

If you are interested in presenting at a Hanoi PechaKucha night please contact us by email at hanoipechakucha@gmail.com. If you want more details about upcoming events go here or follow us on twitter.

Filed under: Uncategorized, , , , ,

Minimalist There Will Be Blood Poster

There Will be Blood minimalist movie poster

There Will be Blood minimalist movie poster

Right, getting into the minimalist movie picture idea now for the digital storytelling course I am following. Here I take on Paul Thomas Anderson’s epic There Will Be Blood. I got the oil barrel from here and I used sketchbook pro to add the drinking straws that I took from another picture (lost source sorry) and just erased the edges. I lost photoshop a while back when my hard-drive crashed and I’d really recommend sketchbook pro for this type of task. More of a drawing programme but has layers and really smooth intuitive controls.

Filed under: Uncategorized, , , , , ,

 

Colin Campbell is one of the organisers of PechaKucha Hanoi. Please get in touch via this email address if you are interested in presenting at a future event or follow us on twitter.

 

Creative Commons License Colin Campbell's learning space by ColinCampbell is licensed under a Creative Commons Attribution 3.0 Unported License. Based on a work at learninthecloud.wordpress.com.

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 3 other followers

 

 

 

The Learning Project Asia is an educational social enterprise that works with schools, development organisations and companies to develop learning projects. Colin is one of the founders and coordinators of this Hanoi based initiative.

 

 

 

Twitter

Error: Please make sure the Twitter account is public.

Follow

Get every new post delivered to your Inbox.